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Despite a lack of initial success, TOS had four other series following it as well as now eleven feature films.

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Seminar paper from the year 2009 in the subject Film Science, grade: 1,7, Free University of Berlin (John-F.-Kennedy-Institut), language: English, abstract: The Original Series (hereafter TOS) of Star Trek, created by Gene Roddenberry, has been around for a whopping 43 years now. Der vorliegende Band dokumentiert die BeitrГ¤ge. Eingeladen hatte der Humanistische Verband Bayern. Aber stimmt das? Ist die Zukunftsvision von Star Trek eine, in der alle humanistischen Ideale erfГјllt sind? Eine Welt, in der friedliche Kooperation und die freie Entfaltung aller Individuen die (oft genug auch mГ¶rderische) Konkurrenz hinter sich gelassen haben? Diesen und vielen weiteren spannenden Fragen rund um Star Trek gingen die GГ¤ste einer hochkarГ¤tigen, interdisziplinГ¤ren Tagung vom 15. Noch dazu kommt: Ihrem Erfinder Gene Roddenberry wird nachgesagt, вЂћseineвЂњ Serie nach seinen eigenen humanistischen Гњberzeugungen geformt, im Star Trek-Universum mithin eine humanistische Utopie verwirklicht zu haben. Geburtstag von Star Trek wГ¤re schon Grund genug gewesen, der Serie eine wissenschaftliche Tagung zu widmen. So recht ahnte bei NBC wohl niemand, dass in diesen 50 Minuten der Grundstein fГјr ein ungeheuer erfolgreiches Science-Fiction-Franchise gelegt wurde: Star Trek. September 1966 schrieb die NBC Fernsehgeschichte: An diesem Tag strahlte der US-amerikanische Fernsehsender die erste Folge einer neuen Science-Fiction-Serie aus, mit einer Geschichte Гјber eine auГџerirdische Lebensform, die Salz zum Гњberleben braucht und aus Verzweiflung mehrere Mannschaftsmitglieder des Raumschiffes Enterprise ermordet. Neue Welten Star Trek Als Humanistische Utopie Book DetailДЄm 8. Topics include the 1960s originalвЂ™s deconstruction of the male gaze and the traditional assumptions of male visual mastery constructions of femininity in Star Trek: Voyager, particularly in the relationship between Captain Janeway and Seven of Nine and the ways in which Star Trek: EnterpriseвЂ™s adoption of neoconservative politics may have led to its commercial and aesthetic failure. Arguing that Star Trek speaks to queer audiences through subtle yet provocative allegorical narratives, the analysis pays close attention to representations of gender, race, and sexuality to develop an understanding of the franchiseвЂ™s queer sensibility. Studying the Star Trek myth from the original 1960s series to the 2009 franchise-reboot film, this book challenges frequent accusations that the Star Trek saga refuses to represent queer sexuality.

Fusing key theory from film, TV, media and folklore studies, as well as anthropology and other specialisms, To Boldly Go is an authoritative guide to the function of myth across the whole Star Trek enterprise. Chapters examine how oral and literary traditions have influenced the series structure and its commercial image, how the cosmological role of humanity and the Earth are explored in title sequences across various Star Trek media platforms, and the multi-faceted way in which Internet, video game and event spin-offs create rituals to consolidate the space opera's fan base.

In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960s series, the later additions such as Voyager and Discovery or J. Media marketing utilises the show's method of recycling the narratives of classical heritage, yet it also looks forward to the future. This book argues that the tools of transmedia merchandising and promotional material shape viewers' experiences of the hit television series Star Trek, to reinforce the mythology of the gargantuan franchise. They present us with narratives of contemporary customs and belief systems: our modern-day myths.

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Today's media, cinema and TV screens are host to new manifestations of myth, their modes of storytelling radically transformed from those of ancient Greece.